The past few weeks, I had been thinking how to better represent the mountain more realistically with paint. I didn't want to over detail the mural---LESS IS MORE applies here. Nor did I want to paint the main mountain colors too intense. Neutralizing the color tones did the trick. This will will more effectively create color contrast and allow me to place just the right amount of brighter color where the morning sunlight skitters over the majestic granite rock forms. The mountain and surrounding hills will still get more detail; including color and value contrast, cosmetic refinement (or detail) and final accents of color. Right now areas on the mountain seem a little too dark. Part of the reason is because we are still working in MIDDLE VALUES. The middle values must come first before all the icing on the cake.
Before we called it a day, I quickly scumbled in a mountain mist near the base of the foothill just behind the Silver Lake Reservoir then added some pine tree details.
To our pleasant surprise, we painted much of the mountain forms in one 6 hour painting session. We plan to put our time in on the mural all next week and we could have the project close to being finished by then. The following week (the third week of February), we will return to the Mountain Vista Mural and then work through a few challenges we have over there until it is also finished.
The Artist's Corner
FIne Art On The Grand Scale
Finished mural began with a small scaled concept sketch. This blog shows the finished product.
FINISHED MURAL
RUSSELL RICKS IN FRONT OF MC PRINT MURAL
LEFT END, SECOND SECTION.
ROBERTS BENCH SECTION
MOOSE AND RESERVOIR SECTION
Aspens Right Side
Mount Baldy Section
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